麻豆传媒

2 headshots of Andy Warhol, a detail from his 1963-64 self-portrait

The Pre-History of the Selfie

Detail of Andy Warhol, Self-Portrait, 1963鈥64 (full image below). Silkscreen ink and acrylic on canvas, four panels: 40 脳 32 in. (101.6 脳 81.3 cm) overall. Cingilli Collection 漏 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
 

The Pre-History of the Selfie

A First-Year Tutorial offered fall 2021, taught by Michael 鈥淢ac鈥 Mackenzie, professor of art history

What is a selfie, and what is it for? Is it an art form, a creative expression and interpretation of ourselves? Is it a social practice? Both? In this tutorial, we will explore the relationships between selfies and other forms of creative expression and the history of portraits as a social practice. While I can share with you what I know about the history of self-portraiture and photography, you can share with me your expertise about selfies, influencers, social media platforms, and the like. Together, in a non-judgmental environment, we will develop a deeper understanding of this important feature of our personal and social lives.

Andy Warhol, Self-Portrait, 1963鈥64. Four panels, each posed slightly differently, head and shoulders
Andy Warhol, Self-Portrait, 1963鈥64.

Why I鈥檓 Teaching This Topic

I am teaching the course because the activity of making and sharing selfies on social media is a place where a practice that is very relevant to young people connects with a topic in art history, namely, self-portraiture. It鈥檚 also a place where students and I can trade expertise. I have read about the history and theory of photography, and eighteen-year-olds know a lot more than I do about how they use social media.

鈥 Michael 鈥淢ac鈥 Mackenzie

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