麻豆传媒

Jean Ulrick Desert talks in the middle of a classroom with students in the foreground in a circle

The Artist鈥檚 Scalpel

Season 3 Episode 3

 

Jean Ulrick Des茅rt talks in the middle of class as a student looks to him in the foreground

sees potential for creativity all around him: 鈥淲hatever our discipline, whether we're engaged in the spoken word or the visual arts or science...there鈥檚 creativity possible in the everyday things. It鈥檚 just a matter of being able to listen, to see, to hone in on, I guess what some people would call intuition,鈥 he says.

It鈥檚 something we could all afford to do a little more often, but it might also be a necessary antidote to the current ugliness of our world.

For D茅sert, art is a serious undertaking 鈥 not a leisure activity, but a heavy responsibility, of which he says:

鈥淢y tools may not be like that of a surgeon with a scalpel, and yet I can create work that can cut as deeply and as emotionally, and perhaps create damage as well. So that responsibility should be taken extremely seriously.鈥

It鈥檚 a great responsibility, true, but it鈥檚 also a gift and a tool for empowerment 鈥 a tool that came in handy after D茅sert became the victim of a racially motivated attack in Germany. To process the trauma of the event, he made a stereotypical German outfit, but with some tweaks, to superficially appear like an 鈥渁cceptable鈥 German body. All dressed up, and with a cow bell dangling around his neck to gently alert people to his presence, D茅sert made his way throughout Germany on an open-ended train ticket. Along the way, he asked people to take pictures of him, allowing him to see himself through their eyes.  

Jean Ulrick Desert in lederhosen costume on train
Jean-Ulrick D茅sert riding the train in Germany in his costume

The project certainly aroused reactions. For some people, laughter was the response, which D茅sert saw as an awkward mechanism of avoidance. For others, his presence made them hunker down and get even more entrenched in their beliefs. Is Desert working to change those beliefs? Not directly.

鈥淚 don鈥檛 see my work as functioning as a full-out agent of change,鈥 he says, 鈥渂ut I can see that my work can plant certain seeds and that those seeds may take years to sprout.鈥

D茅sert visited 麻豆传媒 earlier this spring, before coronavirus threw us all for a giant loop, and led a workshop with students. He enjoys teaching and working collaboratively 鈥渢o empower students to learn how to fly or fly better themselves.鈥

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